How important is your voice?

What is the voice?

I’ve been putting a lot of thought into planning my book over the past few weeks, mainly around the plot, the setting, the characters and the structure of the finished article. I’ve been brainstorming, making notes, jotting down ideas and descriptions of places and people. I’ve even been doing some short sections of exploratory writing to see how the characters can interact in certain situations.

This has all been productive and incredibly useful, but there’s a bit of the puzzle missing. The voice. What is it? Is it worth considering before I start productive writing? Do I even have a choice what my voice is in my writing? Time for a bit of research.

I’ve been reading some posts about effectively using your voice in writing, in particular this one: http://warriorwriters.wordpress.com/2012/04/25/writing-legend-les-edgerton-teaches-us-how-to-create-a-remarkable-writing-voice/

Les Edgerton discusses how to use your voice in order be a unique you, to speak to the reader and capture them with your words. I like the way he talks about using the editing process to make sure that the things you write sound like you – the words aren’t words you wouldn’t normally use; the sentences are constructed in the way you speak them yourself. It’s writing that is honest to yourself and who you are.

Interestingly, there is a section on getting feedback from your peers to make sure your writing sounds like you – no one knows your voice better than your close friends and family. This is exactly what I was discussing in my last post!

No, really, what is the voice?

Everything said by Edgerton was really useful and thought provoking, however, I have a nagging issue around this.

All that’s being described is writing in a voice that is you. If that’s the case, then I already have my voice – surely it’s how I write already. I just need to pick out any oddities in my writing in the edit. Easy! Or is it?

What about the writing style? Does this count as voice? Who is the narrator – is it written in the first, second, third person? Should regional accents be written out phonetically? Are the characters’ thoughts explained or left to be worked out by the reader piecing together bits of dialogue? Isn’t this all part of the voice?

My book is set on a island somewhere off the coast of Britain. The people there are isolated and will most likely think, speak and behave differently to me. They will have habits and styles that have developed over their years of isolation. Should I try to reflect this in the words I use in my writing?

Should I be developing my writing, purposely creating a new unique voice that may not fit my natural style? The risk is that my voice will wobble halfway through the book and revert to type, resulting in a horrendous offering, neither one thing or the other.

Is this the most important thing to consider when starting writing a book? Am I overanalysing, or has anyone else put time in developing their voice for a particular project, genre or setting? My immediate thought on this is that in order to keep the momentum in my writing, I need to promote my natural style as much as possible. But in a book with such a particular setting as mine, am I doing the reader a disservice?

Leave me a comment below – I’d love to hear if you have any experience or opinion on any of this.

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A minimalist approach to writing good characters

What’s in a character?

What makes a good character? It’s an age old question and I’m sure it gets asked all the time by writers in moments of idleness, block or fancy. I’ve spent the day thinking about this and have come up with my own answer, something I hope will simplify my future self’s writing no end.

So what is a character? When I’m writing, I tend to think of my protagonists and antagonists in eye colours, hair lengths, nose sizes, glasses wearers… I don’t necessarily think of them as people with emotions, political agendas or ponderous beings. I simply throw them into situations and observe how they react in my writing.

Readers, on the other hand have a completely different perspective than my writing self. They want to see under the skin of the character and feel what he feels. The reader reads the description about how tall and pimply the new restaurant critic is, but will instantly make up their own minds about what she looks like as she performs the Heimlich maneuver on a man in a dinner jacket who’s just been shouting at his wife. All this means is that readers care more about the person than what they look like. If only we could all be more like that in real life!

So where does this leave me in defining my characters for this project? Am I saying I shouldn’t work out up front all the different ear sizes of everyone on my island? Maybe I don’t need to go to that much detail, but I will need to describe roughly what people will look like, even if this is likely to be adapted or misread by the reader. Although I’ll do a bit of the descriptive and not care too much if it gets changed, there’s something much more important I need to do as well.

What drives a character?

I wanted to be able to describe everyone in a couple of sentences so that when I’m halfway through writing my book and I don’t know what a character will do next, I can reread their description and immediately know how they will react. In any situation.

I’ve done this by describing their motivations for the duration of the story. From the beginning to the end, everyone has a motivation – something that drives them. It might be money, or power, or not being shouted at by your husband in a busy restaurant. It could be having a tidy garden, or making sure you’re always one up on the neighbours. Whatever it is, these motivations will be able to fit into any situation and cause an identifiable reaction.

Does this make my characters one dimensional and predictable? Probably? What if they had more than one motivation, or they had a close friend whose motivation caused conflict with theirs? What if they had a particular motivation that is only realised when a triggering event occurs? Would that make them more interesting? I’m hoping so.

My motivation is to describe all the characters of my book briefly and precisely so I can aid my own writing whenever they are in the plot. If I can do that, I’m hoping I’ll create interesting, diverse characters whose behaviours will become so familiar to me I’ll be able to write them with my eyes shut.

How do you create your characters? Can you really define everyone in your book with just a couple of lines of description or does it take reams of notes and back stories to allow them to really leap from the page? Leave me a comment below if you have any thoughts on this.

An Introduction to the World of Indie Publishing

A Project Update

I put a countdown on my blog to keep my ever impending deadline in mind. However, after a couple of days I had to move it down the page so now it doesn’t appear on my laptop screen when I go onto my blog. No one needs to see their deadlines all the time.

So far, the Lost Dabs project is a mere 13 days old. So much has happened in the last couple of weeks of Foundations: I’ve decided on how the book will be published, the timescales for writing and editing, some of the characters details and an outline of the plot. I’ve created a method for capturing all my data around each character and the background facts of the world and developed a method for incrementally writing about each.

However, I’ve also learnt about something that I knew nothing of when I started. All I wanted to do was to publish a book myself using an established outlet. In my mind this was the Kindle Store – it seemed like the obvious choice as it has a large market share, the Amazon Store is something I already know about and, possibly most importantly, I already own a Kindle, an iPad with the Kindle App, an iPhone with the Kindle App… it’s all pretty accessible.

Doing It Yourself

But them I started reading about a whole world of Indie Authors. People who make a living doing what I’m trying to do. I realised that I am in massive danger of making light something that other people have spent years of their lives working on. I realised that I can’t produce any old crap and call myself an Indie Author. I realised I have to be a signed up member of the Indie movement.

This is the best news I’ve had since starting this project – the number of people who are all writing and independently publishing are all part of a great community. There’s massive competition in this market but I don’t want to see it. I want to embrace what other people are doing. I want to eschew the books I’ve bought on my shelves and start reading Indie Authors. I want to see what other people in my position are doing. I want to explore different genres and engage with people who are writing.

It’s the only way the Indie community can function: if I want people to read my book, I need to read and engage with those writing their own books.

As an unpublished Indie Author I don’t feel I can call myself fully part of this wonderful community yet, but I feel strongly enough to make it only a matter of time. Watch out world, the Huscin is coming! The countdown is ticking… maybe I should move it back to the top of my blog?!